BRENDAN LEE

Brendan Lee is an Australian artist working in the mediums of video installation and photography

Lee's art looks at the associations that are made between notions of place, film and history. He explores the relationships between the filmic memory of significant cinematic locations and how we interact with their historical weighing. In the last few years, Lee has focused on Australian film history and folklore in how we identify and differentiate ourselves culturally from other regions. Through constructed and discovered film locations, Lee presents open ended questions about identity through filmic narrative and tropes. Lee's current videos aestheticize cinematic genres and portray the underbelly of australian culture represented via film.

Recent works

Recent exhibitions include Proving Ground, Australian Centre for Contemporary Art, 2007; Two Birds With One Stone, The Art Gallery of New South Wales, 2006; The Beautiful Badlands, Crossley & Scott, Melbourne 2006; Shootin’ from The Hip, Perth Institute of Contemporary Art (PICA); Takin’ a Shot, The Institute for Modern Art (IMA), Brisbane 2005; …Matter of Time, Video-Spell curated by Blair French, Performance Space, Sydney 2004.He was the guest editor of Photofile 74 and has written for un Magazine and Artlink. Lee recently completed an Australia Council residency in Los Angeles and will be exhibiting in a major survey of Australian moving image artists at the Tate Modern in February 2009.

More information can be found at www.brendanlee.com

selected Solo Exhibitions

2010 Proving Ground, Benalla Art Gallery, Benalla
2009 The Sentimental Blokes, Jenny Port Gallery, Melbourne
  Great Southern Land ,The Academy Gallery, Launceston

2008

Standing on the Outside Looking In Shifted, Richmond, AUSTRALIA

 

Out of Character Trocadero, Footscray

2007

Save Braybrook, DIY Project for the Footscray Community Arts Centre

 

Between a Rock, Bendigo Art Gallery

2006

Two Birds with One Stone, Art Gallery of New South Wales

 

Anthology, Crossley & Scott, Melbourne

2005

Takin’ a Shot. Centre for Contemporary Photography, Melbourne

 

Takin’ a Shot. Institute for Modern Art, Brisbane

 

Shootin’ from the Hip. Perth Institute for Contemporary Art

 

Role Model. Crossley & Scott, Melbourne

2004

Takin' a Shot. Downtown, Adelaide

 

Shootin' from the Hip Crossley & Scott, Melbourne

 

Shootin' from the Hip (photographic version). The Farm, Brisbane

 

a matter of Time, Video Spell 3 Performance Space, Sydney

2003

a matter of time Gertrude contemporary Art Spaces

 

Death is a matter of time, Canberra Contemporary Art Space

2002

…numbers up BUS Gallery Melbourne

2001

Cut to the Chase, 1st Floor Gallery

 

Vault of the Third Kind, Slide, 200 Gertrude Street

 

ANGER, TCB artinc.

 

Apprehension of Immediate Danger Westspace

2000

Syntax 7.04 Centre For Contemporary Photography

 

Syntax 3.0, Sherman Galleries

1998

Syntactic Subjection Slapo Video Gallery

 

Kaboom Slapo video Gallery

1997

Lightboxes, Tivoli Gallery, Bourke Street, Melbourne

selected Group Exhibitions

2009 Tyre Kickers, Session, Trocadero Art Space, Footscray
  Two Birds with One Stone (abridged) Palimpsest Festival, Wentworth Goal NSW
  Proving Ground, Figuring Landscapes curated by Catherine Elwes, Tate Modern London

2008

Shootin’ from the Hip, The Mirror Stage, Lanitis Foundation, Limassol, Cyprus

 

Between a Rock (photographs) Team Australia, Curated by Veronica Tello, Carlton Hotel, Melbourne

 

Out of the Blue RE:CONNECT, Level 17 Artspace Melbourne

 

Proving Ground, Between a Rock Neo Goth: back in black University of Queensland Art Museum

 

Two Birds with One Stone Australian Gothic: Video Art Now, Curated by Dr Shaun Wilson, PICA

 

Shootin’ from the Hip Contemporary Australian video, Institute for Contemporary Art, London

 

The Beautiful Badlands excerpt 2008,World One Minutes, Today Art Museum Beijing

 

To Catch a Thief, Don’t Steal Tricks, Revolving Doors, Uplands, Melbourne

 

The Beautiful Badlands 2008 version, Proving Ground, Can’t Take My Eyes Off You, curated by Helen Frajman, Curtain House Melbourne

 

Out of the Blue Post Cinema curated by Shaun Wilson, Project Space, Melbourne

 

Proving Ground Circlework version Videobrasil, Sao Paulo

2007

The Beautiful Badlands, The Vernacular Terrain, QUT Museum, Brisbane

 

Proving Ground, NEW07, Australian Centre for Contemporary Art, Melbourne

 

Out of the Blue Tracks 1, 2, 3 4, Figuratively Speaking, curated by Simone Jones, The Block, Brisbane

 

Out of the Blue Tracks 1, 2, PROJECTOR Curated by Kate Murphy, Broadstone Gallery, Dublin

2006

Shootin’ from the Hip, Plain Crash, Vidi_festival06, Valencia, Spain

 

Plain Crash, SynCity curated by Mark Titmarsh, ACP, Sydney

 

Art Vs Hollywood curated by Joanna Callaghan, London

 

The Patriot Act, 18th St Art Complex, Santa Monica, Los Angeles

 

Shootin’ from the Hip, Plane Crash, Role Model, Out of the Blue ARCO, Spain

 

Out of the Blue Tracks 1, 2, The Late Sessions curated by Soda Jerk, George St Cinemas, Sydney

2005

Shootin’ from the Hip, Make a Scene, Australian Centre for Photography, Sydney

 

Shootin’ from the Hip: Exito version, A Short Ride in a Fast Machine, Gertrude Contemporary Art Spaces, Melbourne

 

PG+13 Trocadero, Melbourne

 

Mythologies of Film & A Plain Video, Scott Donovan, Sydney

 

Sprog Learns that his Future has been Cancelled, Half Life Kings ARI

 

Cut the Chase (redux)Pitch Yout Own Tent, Monash University Museum of Art

 

A Plain Crash,'A portable model of...' curated by Tristian Koenig Plimsoll Gallery Hobart

2004

Mythologies of Film, EFOS04, ACMI Melbourne & Artspace Korea

 

Death Time. One Minutes, Salto Television, Amsterdam

 

Human Resources, OutTAKEout, Kiosk, Christchurch. New Zealand

 

Shootin' from the Hip; Gran Exito Version. 80X80. Athens

 

Shootin' from the Hip; Gran Exito Version, Affordable Art Fair, Melbourne

 

Mythologies of Film. Next wave. Scratch Video. Melbourne

2003

OFTENON Sydney International Film Festival curated program by Scott Donovan and Brent Grayburn

 

Death is a Matter of Time, Nth Art Exhibit01, Ols & Co Gallery, London

 

SKIDS, Entertainment, Chewing the Phat, Phatspace, Sydney

 

SHOOT ME, Art + Film, Centre For Contemporary Photography, Melbourne

 

… Two Birds with One Stone (preview), Royal Rumble. Kings artist – run initiative Melbourne

 

Mythologies of Film #1 Wall Candy curated by Greg Defteros, Conical, Melbourne

 

Game Over Man Bong On 02, BUS, Melbourne

2001

PursuitTouching at the Parabolica, Latrobe St Gallery

2000

Hits & The Automated Attendant, Immersed- curated by Natasha Bullock, Monash Gallery of Art, Melbourne

 

Line of sight,Platform 2, the space in - between group show

 

Syntax 5, DLUX Media Arts, D>Art00, Sydney

 

Bubblegum Crisis, TCB Melbourne

1999

Greatest Hits Inconspicuos Ivanhoe Girls Grammar

 

One of fifty, Summer Salon, CCP Melbourne

1998

Syntactic Subjection RMIT Honours Show Gallery 101 Annex. Collins, Street Melbourne

 

Kaboom version 2, I.D, Serial Art video installation, Melbourne Festival, Myer

 

Kaboom/ Theorists,Plummet, Melbourne Fringe Festival

 

3D photograph, Glen Eira photographic prize

 

Serial Art HMV Records, Bourke Street Mall,

 

The Two Minutes, First Site Gallery Swanston Street, Melbourne

1997

iMmersion Type 2 Span Gallery,Flinders Lane Melbourne

 

Reactives First Site Gallery Swanston Street Melbourne Digital work on paper with Sean Kavanagh

1993

Sound Sculpture, Buniyong Hotel

PRIZES AND AWARDS

2007 Footscray Community Art Centre, DIY project
2005 Australia Council Los Angeles Studio
2002 City of Melbourne projects grant, PROJEKT VIDEO CATALOGUE
1999 Ilford Prize for Digital Excellence, Summer Salon, Centre for Contemporary Photography
1998
    RMIT Union Arts grant recipient

SELECTED CURATORIAL

2009 Australia? With Kristian Haggblom, Mildura Arts Centre
2005 END, HALF-LIFE, NO RETURN, RISK Kings ARI, Melbourne
2004 VIDEOLA, 30 Years of Australian Video Art, Australian Centre for Photography, Sydney
PROJEKT#NEXT WAVE, SpaceMent, Melbourne
P# Contemporary Australian Video Art. The Physics Room. Christchurch. New Zealand
2003 PROJEKT VIDEO ARCHIVES, Issues #1 - #6 outTAKEout, Kings artist - run space
Melbourne ENTERTAINMENT, Phatspace, Sydney
ART + FILM, with Natasha Bullock, Centre for Contemporary Photography Melbourne
Royal Rumble, with Frank Guarino. Kings artist – run space.
1997 Tivoli Gallery Program co-ordinator, RMIT, Melbourne

bibliography

Dylan Rainforth, Taking a crack at Aussie blokes, The Age July 1, 2009

Veronica Tello, Team Australia Catalogue, December 08

Dylan Rainforth, Rear Window or Front Projection? unMagazine 2.1, 2008

Footscray Star Newspaper, May 2007

Victoria Kyriakopoulos, The Age, March 2007

Tony Birch New 07 Catalogue 2007

Broadsheet NEW07

Sebastian Smee, The Australian, March 2007

Ashley Crawford, The Age, August 2006

Megan Backhouse, Cover + feature, Art Gallery Guide. Jan 2005

Robert Cook, ‘Shootin’ from the Hip’ in Art Papers, 2004

Penny Web, Critics Choice, The Age, July 2004

Andrew Frost, The Next Generation, Australian Art Collector, April 2004

Dominique Angeloro, Critic's Choice, Sydney Morning Herald, March 12 2004

Maria Bilske, A New Era for Collectors, Australian Art Collector, Jan 2004

Barbara Bolt, Video Hard Sell, RealTime, March 2004

Daniel Edwards, The art of in-between, RealTime October 2003

Cath Collins, Exploring our relationship with film – through art. Arts Hub, August 2003

Lucinda Strahan, Glam Art, The Age, August 2003

Robert Nelson, Telltale Interactions, The Age, July 2003

Adrian Martin, ART+FILM catalogue essay.

Gavin Findlay, An eye on mortality, RealTime, May 2003

Greg Deftereos, Wall Candy Catalogue essay, 2003

Lily Hibberd, Take a Hard Look at the Evidence, …Numbers Up catalogue, 2002

Daniel Palmer, Brendan Lee: the cinema-computer experience, RealTime 2002

Paul Gray, Anger is all the rage, Herald Sun, September 2001

Blair French Video goes big time: some crucial questions, RealTime, 2003

John Safran, Catalogue essay, ANGER, September 2001

Technologies in the sector, Museum National, August 2000

Paul Gray, Fleshing out art, Herald Sun, June 2000

Natasha Bullock, Immersed: the contemporary body object, 2000

professionAL EXPERIENCE

Vital Signs forum speaker, ACMI
VDO Speaker, Queensland College of Art
Guest speaker, UTAS, Hobart
Guest speaker, RMIT, Melbourne
Un Magazine committee member
Guest Editor Photofile Issue 74
Affordable Art Fair Melbourne
Melbourne City Council, Public Art consultant, Laneways Project
DLux d>art emerging screen selection panel (with Angelica Mesiti)
Contemporary Art Gallery Forum, Linden
What is Video Art? Lecture, Christchurch University
Melbourne International Film Festival, ART+FILM forum
Producer of 13 episodes of Screentalk, For Public Hangings on Channel 31
Co-ordinator of Kings Artist Run Initiative gallery space in Melbourne (ongoing)